' ' The scientists will be taken to abandon its position not for phenomena spirituals, msticos, for any physical or mental phenomenon, but simply for the enormous abysses that if open daily and that they will continue to confide ahead of them, to the measure that a discovery follow it to another one, until they finally will be knocked down by a simple good question of senso.' ' (BLAVATSKY in Private Doctrine – 1887 apud CRANSTON, 1997, p.477). The pioneers of the sistmico thought had been the biologists, who emphasized the conception of the organisms livings creature as integrated totalities. They had helped to give to the light a new way to think about terms of conexidade, relations, context. In accordance with the sistmica vision, the essential properties of an organism, or alive system, is properties of all, that none of the parts possesss. The sistmico thought, can be defined as a new form of perception of the reality.
It must always be left of the beginning of that all it is more than the addition of the parts, having in such a way the system as a whole integrated whose essential properties appear of the Inter-relations between its parts. To understand the reality of sistmica form, means, literally, to place it inside of a context and to establish the nature of its relations. Capra (1996) presents the idea of interrelation between objects and beings livings creature, the things are not separate, are only separate momentarily or same they make look like to be separate, however we have that to have care with the illusion, therefore the reality can be another one. The objects and the beings livings creature are in constant relation, ha a subjective exchange as in such a way objective in these relations, not being able to be studied, to be seen, analyzed, understood separately. Maturana (2000) complements this thought when affirming that ' ' the definitive attribute of a sistmica entity is the set of relations between the components that constitute its form in data moment and serve as identity nucleus that is kept, the spite of the dynamic changes throughout tempo' '.