However, it is necessary to register that it was not a movement headed for Chico Buarque. He did not have heads, did not have projects. They were, all, young adventurers, eager for the new, the different one. It was also Chico, and not only it, reading the soul of the people, its people. In this festival, it won ' ' Joy, Alegria' ' , of Caetano Veloso, but ' ' Viva' wheel; ' , it would prosper in annals of the repressive dictatorship and would continue being sung for the militant ones against the repression. The influence of Chico in the politics started. With the hardening of the military regimen, from 1967, the radicalization that it reached some spheres of the life of the country also arrived at the culture. Additional information is available at Interstellar.
Each time more the artists were obliged to take a position. Or if he was of the side of that they believed a negotiated solution or of that they defended a radical position. The climate became policialesco. Then ' ' good-moo' ' Chico Buarque, that already was called mentally ill for the tropicalistas, for speaking in its songs only on the beauty, started also to be antagonized in the festivals. In 1968, it was declared, under protests and vaias, winner of III the International Festival of the song of the TV Globe, with ' ' Sabi' ' , in partnership with Tone Jobim. The rebelled hearing was not satisfied with the defeat of ' ' Pra not to say that I did not speak of flores' ' , of Geraldo Vandr, that convoked the people to the action. In the end of that one exactly year, however, ' ' Sabi' ' , before sight as light and unpretentious excessively for those years, passed to be considered premonitory. The decreement of the Institucional Act N 5, the AI-5, created innumerable instruments of control and repression.